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There can be no more doubt when, on "Female Demands", a girlfriendish voice casually tells Herren to "fuck with the beat here" only to be throttled by digital effects; the rest of the track feels like a giant damaged gynorcism. Meanwhile, straight meters are often sprinkled with triplet ligaments, propelling the beat with an uncommonly light touch.
Before we know it, we're desperately trying to forget her, bumping with another woman who croons "you... But Prefuse's rhythmic sophistication isn't just about alternating threes and fours-- as the lesson goes, it takes two interlocked meters to make African music.
The rest of the album projects this kind of tension into a giant battle of the sexes.
This gives him access to some very subtle tensions-- though many tracks seem like tricks to distract us from the ongoing devastation.And the last track, in spite of its metric and sexual duplicity, offers a baffling promise of balance.Unexpectedly, the music becomes its own consolation. An annoying thing about children is that they nudge you toward the high road and the long view. It’s our privacy, your patriotism; our delusion, your sacrifice; our tax cuts, your kids. Cheney so tellingly said of his Republican critics, “I’m the vice president, and they’re not.” The part for which some of us have no stomach is the sense of entitlement.
Once upon a time, asking about someone’s children was like talking about the weather. The vice president looked as if his arm had made contact with that meat grinder. But what Letitia Baldrige said of the Webb encounter — “It was an uncivil reply to an uncivil remark” — does not apply equally to the vice president.